Vistas I /

Vistas I /

Majmouan

Mohammadreza Farzad, Poland/Germany/Iran, 2022, DCP (shot on 8mm), B&W/colour, 15’03’’, english and slovenian subtitles

A poetic essay meticulously constructed from clips of Iranian 8mm home videos from bygone days. As we watch birthdays and wedding parties, people dancing, laughing, swimming or just relaxing, a narrator, in a contemplative, sometimes heavy voice, enumerates series of dry facts. But what does it matter how many kisses one received, how many times one truly laughed or what time one went to bed or got up?

Can adding up such numbers sum up a life? These listings of figures alternate with brief confessional phrases that evoke an entire hidden world: “Because I am funny, people think I’m happy,” and “I love myself less than I have been loved.” The film was inspired by the eponymous short story by Gregory Burnham and Édouard Levé’s novel Autoportrait.

Last Things

Deborah Stratman, France/USA/Portugal, 2023, DCP (shot on 16mm), 4:3, colour, 50’, english and slovenian subtitles

Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures.

The human race is old, but rocks are timeless. Weaving stunning imagery with evocative text and interviews, the film observes the history of all of us and this planet Earth through the most essential parts — evolution and extinction, from the POV of rocks. The immensity of our existence is hard to fathom, and we are obsessed with our past, looking for reasons. A huge journey we should take on a cinema screen. In a distinctive style seen throughout her long career, Deborah Stratman skilfully combines pure science with speculative fiction, not to give you an answer to the meaning of life, but to provide sounds, images, and ideas to contemplate. The use of both microscopic and landscape photography, we see the luscious textures of rocks and matter and our handprints on it. Texts from writers enhance the journey, ranging from the creators of the science fiction genre to experts of stream-ofconsciousness reflections. Stratman blurs the borders of poetry, narrative, and fact in an ethereal adventure. As one interviewee states, “Rocks have a history, but they don’t remember it.”

The film Last Things will be introduced by the co-producer Anže Peršin, Stenar Projects.