Everything moves /
Everything moves /
Oh, Grow, Grow
(Raste mi, raste)
Tone Rački, Slovenia (Yugoslavia), 1970, 8mm, 4:3, colour, 3’, no dialogue
Everybody Was Coming
(Vsi so prihajali)
Tone Rački, Slovenia (Yugoslavia), 1971, 8mm, 4:3, B&W, 2’, no dialogue
Love At First Sight
(Ljubezen na prvi pogled)
Tone Rački, Slovenia (Yugoslavia), 1972, Super 8mm, 4:3, colour, 3’, no dialogue
A Study For The Film Love At First Sight
(Študijski posnetek za film Ljubezen na prvi pogled)
Tone Rački, Slovenia (Yugoslavia), 1972, 8mm, 4:3, colour, 3’, silent
A Study For An Unfinished Abstract Film
(Študijski posnetek za nedokončani abstraktni film)
Tone Rački, Slovenia (Yugoslavia), 1968, 8mm, 4:3, B&W/colour, 3’, silent
Nocturne
(Nokturno)
Vasko Pregelj, Slovenia (Yugoslavia), 1965, digital format (shot on 8mm), 14’, no dialogue
Dreams
(Sanje)
Vasko Pregelj, Slovenia (Yugoslavia), 1966, digital format (shot on 8mm), 6’, silent
Torso
(Torzo)
Vinko Rozman, Slovenia (Yugoslavia), 1965, digital format (shot on 8mm), 6’, no dialogue
Everything Is Spinning
(Vse se vrti)
Davorin Marc, Slovenia (Yugoslavia), 1978, digital format (shot on 8mm), 2’, no dialogue
Dot. Pop.
(Pika. Poka.)
Davorin Marc, Davorin Marc, Slovenia, 2013, digital format (shot on 16mm), colour, 2’, no dialogue
Dislocated Third Eye Series: Bismillah /In Four Movements/
(Serija Dislocirano tretje oko: Bismillah /v štirih stavkih/)
Sulejman Ferenčak, OM Produkcija, Slovenia (Yugoslavia), 1984, digital format (shot on 8mm), 29’, no dialogue
After the screening, Matevž Jerman will talk with Tone Rački.