DON’T THINK IT WILL EVER PASS: 25. 4.–26. 1. /

DON’T THINK IT WILL EVER PASS: 25. 4.–26. 1. /

FESTIVAL OPENING

Don’t Think It Will Ever Pass: 25. 4.–26. 1.

Tomaž Grom, SI, 2023, 75'

“It’s important to know that cinemas are acoustically dry spaces. They’re completely padded, so the sound frequencies and waves are not reflected and added up in the space. The walls absorb the sound, which is a good thing for spatial sound. By using various effects, you can then affect the sound in such a dry space, creating the feeling of it being somewhere far away. It’s completely different in a space where the echo prevents manipulation. Cinemas typically have speakers on the walls and it’s impossible to affect each individually, you can only affect all the speakers that are on the left or all that are on the right. And because they’re so close together, that’s not ideal. For the accompaniment to the screening of Don’t Think It Will Ever Pass: 25. 4.–26. 1., I set up my own system in a completely different way, in the corners, on the floor, in the front, at the back...”

Tomaž Grom

Live musical accompaniment: Tomaž Grom.

Tomaž Grom (1972) is an experimental musician, double bassist, composer, performance artist, sound designer and producer. He composes music for theatre, dance, puppet shows, and films and has participated in many musical projects and ensembles of various genres. Grom is the artistic director of the Zavod Sploh, which is involved in music and performing arts production, publishing and education. He is the author and co-author of nine music albums. He made the short film I Can't Wait for You to Come (2021) and the experimental feature film Don't Think It'll Ever Pass: 25. 4.– 26. 1. (2023).